MAN: We gotta get it crazy tonight.
You gonna get it crazy? MAN 2: I'll get down to it.
I said, are you gonna get it crazy?
I'll get down to it. I said, are you gonna...
[INDISTINCT SCATTING] ...get it all down,
get it all night, get it all right,
get it out of sight, and get it down, baby? - Yeah.
"Whammer Jammer," let me hear ya.
[J. GEILS BAND'S "WHAMMER JAMMER" PLAYING]
OFFICER [OVER RADIO]: All units, all units. Code 3 pursuit of 2-11.
White SUV heading east on Alameda service road.
Suspects: three Asian males.
Request backup immediately.
Be advised. Shots fired, shots fired.
[TIRES SCREECHING]
Whoo! Ha-ha! [GUNFIRE]
[INDISTINCT CHATTER]
[SNORING]
[#]
[INDISTINCT SHOUTING]
[GUNFIRE] [SIRENS WAILING]
[TIRES SCREECHING]
[#] [SNORING]
REPORTER [ON TV]: Cheryl, can you see how many um, suspects are in this car?
CHERYL: Well, as far as I can see at this point,
uh, there are three sus--
Oh, this is just coming in.
Hancock.
Nailed the suspects, uh, for attempted robbery...
[NEWS REPORT CONTINUES INDISTINCTLY]
What, boy?
Bad guys.
CHERYL: --trying to cut them off. You can see them right there.
They have their hands outside the white SUV,
shooting randomly on the freeway.
What, did you want a cookie? Get out of my face.
Asshole. - What?
You heard me.
MAN [ON TV]: They're cutting cars off left and right at high speed...
[BLOWING]
Please stay off the freeway.
WOMAN [ON TV]: I understand that there are
three suspects in the white SUV...
[GASPS] Asshole.
[CRACKS NECK]
[GROANS]
[LUDACRIS' "MOVE BITCH" PLAYING]
# Move, get out the way #
# Get out the way, shh Get out the way #
# Move, get out the way #
# Get out the way, now #
Look out! [SCREECHING]
# Move #
# Get out the way Get out the way #
# Get out the way #
# Oh no! The fight's out #
# I'm 'bout to punch Your lights out #
# Get the shh back Guard your grill #
# There's somethin' wrong We can't stay still #
# Move, get out the way #
# Get out the way, shh #
# Get out the way #
# You see them headlights? You hear that crowd? #
# Stop that Yo, I'm comin' through #
# Here I come Here I go #
# Uh-oh #
[MEN CHATTERING IN FOREIGN LANGUAGE]
[DANCE MUSIC PLAYING IN CAR]
[CHATTERING IN FOREIGN LANGUAGE] [GRUNTS]
Hancock?!
HANCOCK: Hey, hey, hey. Hey.
[IN FOREIGN LANGUAGE] Beat it, Soulja Boy!
REPORTER: Hancock is in the car,
and he appears to be negotiating with the gunmen.
[IN FOREIGN LANGUAGE] He smells like a bar.
Shh. Shh. Shh.
[IN FOREIGN LANGUAGE] You pay for new roof!
Look, hey, hey, hey, fellas, fellas.
Hey. I don't give a shit what you did. I don't care.
Three guys in the car, no girls, rave music.
Hey, I'm not gonna judge.
But if you don't pull over and give yourselves up,
quietly, I swear to Christ,
your head is going up the driver's ass.
His head is going up your ass.
And you drew the short stick,
'cause your head is going up my ass.
[IN FOREIGN LANGUAGE] Shoot this asshole!
[IN FOREIGN LANGUAGE] Stop!
What the fuck!?
[#] [INDISTINCT CHATTER]
[TIRES SCREECH] [SHOUTING]
REPORTER: The department is on their way.
There's just chaos here on the 105.
[ALL SHOUTING]
[FUGITIVE 1 SCREAMS]
Konnichiwa.
FUGITIVE 1: What? I'm not Japanese, man!
Put us down!
Oh, now you "speaky Engly," huh?
"Speaky Engly" now?
[SCREAMING]
[HELICOPTER WHIRRING]
You broke my glasses.
I'm sorry. Take my Ray-Bans!
Put us down! Huh? You want down?
FUGITIVE 1: Yes, please! Please! FUGITIVE 2: Help me!
I'm real good at down. I'm real good at down.
All right? All right.
[FUGITIVES SCREAMING]
REPORTER [ON TV]: This, Hancock's latest act of so-called heroics
took a hefty financial toll.
Initial damage estimates are said to top $9 million,
which, if accurate,
represents a personal record
for the notoriously publicity-shy Hancock,
who, as usual, can't be reached for comment.
LT. DORMAN: With all the cracks to the concrete,
with all the bullets, the water damage, fires...
[SPITS]
...L.A. would be a lot better off
if this guy would just leave
and let us get on with our jobs.
He has never asked me for a badge, and he has never
worked with us in any capacity whatsoever. Zero.
I don't mind if he'd just do it somewhere else.
New York, maybe.
Let them suffer with him for a while.
What the hell's the crane doing there?
Move the-- The crane's not gonna help, idiot.
MAN: How are we supposed to get them down?
I will break my foot off in your ass, woman.
This Hancock guy is surely on some kind of mission.
And he's using our city to beat himself up,
for reasons known only to him.
REPORTER 2: We'll have live shots later from Chopper 1
for the removal of the SUV from the landmark needle.
[#]
MAN: Sir? Ray Embrey.
Ray. - Pleasure.
So... Ray's like the Bono of PR.
[CHUCKLES] Well, a-actually, I think Bono
is the Bono of PR, but, uh, I do try.
Well...let's see it.
Okay. I'll get right into it. Good morning, everyone.
I'm, um, here to talk to you about charitable giving.
Okay? And we all know the way that that works.
You give 1,
maybe 2 percent of your net cash,
and you get an armband, or a wristband,
or a ribbon or whatever it is.
It's nowhere near enough.
And that's why we at Embrey Publicity
would like to offer you...
the AllHeart symbol.
Now, you would be among
a very select group of corporate giants
to bear this logo on your product.
And what this would say to the public
is that your company, Pharmatopsis,
has made a radical contribution
to helping our world.
And here's all you need to do to qualify.
Your new TB drug, Mycodin?
We would like for you to give that product away for free.
[#]
Did you say "free"? - I did.
Only to those who really need it.
Only to those who without it would otherwise die.
All right, as a concept, free is kind of up there
with, uh, you know, lethal side effects.
Mandatory product recall.
MAN: Get indicted, go to jail.
Get out, work at IHOP for the rest of your career.
Understandable reaction. It's a radical concept.
But it is the brand that represents
a fairer and better world.
The brand...
that everyone is talking about.
Who is "everyone"?
We do already have a sports franchise.
MAN 2: NFL? Uh, NBA? MLB?
Soccer. MLS? Which team?
RAY: Well, it's a local team.
Encino Hurricanes.
[CHUCKLES]
It's my son's team.
Anyway, we can save the world.
All right? Someone's just gotta go first.
What do you say?
Are you a crackpot?
[#]
RAY: Hey, hon.
You're probably at the store. I am on my way.
I think I made a connection.
[CAR HONKS]
Not really.
Listen, tell Aaron that I'm coming, and I-- Damn it.
And I want some meatballs, okay?
I need some Spaghetti Madness. [BELL RINGING, CARS HONKING]
I'll see you in about 20 minutes.
Hey. What is it, National Horn Day?
[#]
Idiot.
[TRAIN WHISTLES]
[#]
[HONKING HORN] Hey.
Hey. Hey!
Move it. There's a train coming.
Do you not hear that horn?
Let's go. I got a train!
[SMASHES] Move it!
Back your car up. There's a train!
I can't go anywhere. Get out!
RAY: Son of a bitch!
[GRUNTS]
Uh. Fix the handle, Ray.
Fix the handle.
[GRUNTING]
[TRAIN WHISTLE BLOWING]
Get out!
Get off the track! Move!
[BRAKES SCREECH]
MAN: Whoa!
RAY: Whoa, whoa, whoa!
[CROWD SHOUTING]
MAN 1: Let's get him out. MAN 2: Get him out of there.
Somebody help him. You all right?
WOMAN: Please, that guy's still in there.
[CROWD CHATTERING]
You sure?
WOMAN: Get him out of there!
[METAL BENDING] [GRUNTS]
[#]
[TRAIN CARS SCREECH, RUMBLE]
WOMAN 2: You guys doing all right?
Ah, shit.
I'm all right. I'm okay.
HANCOCK: All of you people...
blocking the intersection,
you're all idiots.
You're the one that threw the dude's car at her.
And what's with the train?
Why didn't you just go straight up
in the air with the car?
WOMAN: Yeah, why didn't you go straight up?
You've obviously injured that poor woman.
She's right. She should sue you.
[CROWD CHATTERS ANGRILY]
Okay. Well, you should sue McDonald's
'cause they fucked you up.
You're an asshole.
And I can smell that liquor on your breath.
'Cause I've been drinking, bitch.
You're a drunk asshole.
You think you're such a hero.
Asshole. [CROWD SHOUTING INDISTINCTLY]
WOMAN 3: You're nothing but an asshole.
MAN 3: We don't need you in this city.
MAN 4: Some superhero you are. Fly off.
[RAY WHISTLES] Shut up!
Don't you people understand? I'm alive.
I get to go home and see my family.
I should be dead right now, right here.
Yeah, he could've gone straight up.
Obviously, you should've.
You know, and I was upside down for the train, but, uh...
No. Thank you.
Thank you very much, Hancock. Thank you.
Thank you, Hancock. [CROWD MUTTERING]
[#] [SIGHS]
You're not flying by the Valley, are you?
[#]
BOY: Throw the ball.
MAN: Oh...
Monte. One guy'll line up here, all right?
Hike the ball.
This guy'll be right here. He says, "Hut."
This guy'll drop back. Hut. Drop back. Chuck it.
[GASPS]
Great. Thank you.
[HUBCAP SPINS]
Nice aim. The driveway would've been better, but--
What's going on, Dad? Hey, buddy.
Daddy's had a little bit of a day.
Look at you, huh? Want you to meet somebody.
This guy here, dragging Daddy's car into the driveway.
Who is this? - Hancock.
That's right. Hancock. This is my boy, Aaron.
God, Ray. What happened to the car?
RAY: Oh, boy. You would not have believed it.
I came this close to getting hit by a train.
If it wasn't for that guy...
He saved my life. I mean-- Hancock, this is my wife, Mary.
Believe that, pal? I almost kissed a train today.
Saw my whole life flash before my eyes.
He saved your life? He sure did. Thank you.
Hey, you good? I-- I'm good, yeah.
All right. [CLEARS THROAT]
Keep it off the tracks. - I will, definitely.
RAY: Um, h-h-hang on a-- One second.
Hancock, um, you eat, yes?
Human food? - Yeah. Yeah.
You like meatballs?
No. Aaron, sweetheart, he has to go and do other--
I love meatballs.
Who's so busy they can't have a meal, huh?
And it's on us. Please.
I'm not even gonna take no for an answer.
Get inside the house.
[#]
[TAPPING ON PLATE]
Why do you have an eagle on your hat?
Uh...
Do you like eagles?
Uh, this guy's like a little talking machine, huh?
RAY: We don't have a lot of guests over here.
Look at that, huh? - Hon, is the heat on?
[SCOFFS] RAY: No? All right.
Yeah.
We started Spaghetti Madness about two years ago.
We do it every Thursday.
And we have not missed a Thursday in...
Ever.
- Oh. - Yeah.
Ever? That's a long time.
Yes, sir. RAY: A very long time.
That's some good meatballs, boy.
Aaron.
Your mama's calling you. AARON: Yes, Mom?
No. His name is Aaron.
Hey, Aaron, pal, how was school today? Huh?
AARON: Fine. RAY: Yeah?
No more problems with that bully, Michael?
Michel. - Michel.
But not like a girl's name.
No, no, I know. - It's French.
RAY: Yeah. Michel, Hancock, is this--
Hancock? Michel is this neighborhood bully.
We've been trying to teach Aaron a little bit
about conflict resolution. You know what I mean?
Yeah. Turn the other cheek, all that?
That's exactly right.
Yeah. - Mm-hm.
Well, just, uh, never turn that one, all right?
Never let 'em punk you.
AARON: Got it, Mr. Hancock. - Aaron, eat.
The way you deal with bullies, you take your right foot,
bring it right up, catch him in his little piss pump.
[CLEARS THROAT] You don't have to do that,
honey, okay? Seriously.
It's a good idea.
You aim straight,
and make sure he can't use that thing for nothing
but a flap to keep the dust out of his butt crack.
Okay, please. Just stop.
Michel is not a man, okay?
He's a little boy. And his parents
happen to be going through a really, really bad divorce,
and that's why he's acting up.
And maybe you don't know this, but not everything in this world
gets resolved with force. - I got plenty.
Not everything has to be bang,
scream, blood... - I'm all set.
...more blood. - Baby, I got plenty.
Just destruct-- - Angel. We're okay.
She watches so much news
that sometimes it gets to be a little too much.
Got a toilet?
RAY: Yep. Yeah, just past the fridge.
[SIGHS]
Are--?
Did he just take the whiskey bottle to the bathroom?
Do you want him to kill us all?
Thanks for coming on in. Good, right?
Very, yeah. - Wanna say goodbye to him?
Bye, Hancock. - Hey. All right, little buddy.
Ah! MARY: Are you okay?
Uh, it was-- It was a joke. Come on, Aaron.
HANCOCK: Hey, sorry. I was just trying to--
He got it. - She didn't get it.
I owe you more than I can say. You gave me my life back today.
Just hear me out. I'd like to return the favor.
Do you know what I do for a living?
I'm in public relations.
You know what that is?
Of course you do. We're image consultants.
We change the way people see products, companies,
people, that stuff.
Listen, I see you on the news and I see you out there today,
and it can't feel good
that people, you know, hate you.
It's, uh, good to meet you, Ray. No, I'm sorry.
But, I mean, you know, hear me out.
People-- Don't get me wrong, they should love you.
They really should, okay?
And I wanna deliver that for you.
It's the least that I can do.
You know, you're a superhero.
Kids should ask you for your autograph.
People should cheer you on the streets.
What the hell are you pricks looking at?
No, no, no. Shh, they're not-- - It's all right.
They're not pricks. They're just people.
But I want you to give me one short pitch, you know?
That's all I ask. Okay?
You use...
Put it under here?
[CHUCKLES]
Put it right there. Perfect.
E-mail me or whatever.
You just fly on over, I don't know.
You know, I want you to think about it.
Okay? Just be careful when you go.
You sleep on it, all right?
You get back to me?
I'll be right here. All right.
Please don't stare, you guys.
He's kind of one of us.
[DOG BARKING]
What about AllHeart?
RAY: It's a nonstarter, babe, you know?
I'm chasing windmills with that.
And, um, maybe I can't change the world,
but I can change this guy's life.
I mean, just think about all the good he can do.
I think you're wasting your time with this guy.
You really hate him.
Hate? I don't hate him, Ray. I don't even know the guy.
Just...look at the news.
You can see what he does.
I think he just needs people to care, you know?
[DOG WHIMPERS]
MARY: You see the good in everybody, Ray.
Even sometimes when it's not there.
I have a feeling about this. Don't work with this guy.
[#]
I know this kind of guy. He breaks things.
[SIGHS]
[EXHALES]
[DOCTOR ALIMANTADO'S "BEST DRESSED CHICKEN IN TOWN" PLAYING]
# Don't fly, don't fly Don't fly #
# Don't fly #
# He's the best-dressed Chicken #
[CHILDREN SCREAM]
[GRUNTS]
My bad. Everybody all right?
BOY: I'll go and get my mommy.
[FRENCH ACCENT] He is an asshole.
[#]
What's your name, boy? - Michel.
Oh. Do you-- You know Aaron?
Oui. Le petit asshole.
Well, uh...
seems to be a pretty good kid.
Uh, just wanna ask you to lay off of him a little bit.
Why, asshole?
You're gonna stop calling me that.
Asshole.
That's not my name.
Ass...hole.
[#]
Call me a asshole...
one more time.
Asshole.
[MICHEL SCREAMS]
How about you, thickness?
Goggles?
RAY: Hancock. You son of a gun. I knew you'd come.
Ask Mary. I had a feeling.
I said, he heard me and he's ready for a change.
Yeah.
Great. You do this? Come in a little hot?
Yeah, yeah. I'll meet you in the house.
This is a great place for us to start.
I know you don't drive, but-- Oh, damn it.
[MICHEL SCREAMING]
All right. You-- You're all right. [WHIMPERS]
You're all right. You're all right.
[MUTTERS IN FRENCH, CRYING]
Oh, stop crying, punk-ass. Go ahead.
Not okay.
Okay? - He all right. He--
Really not okay.
This is some of the stuff we're gonna work on.
How do you think that conversation's
gonna go down with his mom?
Landing like that in the street's
also on the uncool side.
No, that was already like that when I got here, Ray.
RAY: I live here. I know what the street's like.
We're just gonna make those problems of the past.
All right? I'm gonna teach you
how to interface with the public.
Where's the wife?
RAY: Uh, Mary took Aaron to his soccer game.
Hancock, pulled some stuff up on YouTube.
Surprisingly large amount of not-great stuff
on you that's gonna be helpful.
What is this?
That's me trying to change the world.
Unfortunately, not doing real well.
Come on. Let's get to you.
This stuff was on YouTube.
Now, everybody loves a Nutty Buddy, I get it.
But this doesn't work, sir.
HANCOCK: Hey, give me a Nutty Buddy.
All right, back up. Back up.
[CHILDREN CHATTERING]
Mom! Mom!
Those are...children.
[CHILDREN SHOUTING]
BOY: We've been waiting for a long time--
Get that camera out of my face.
You ever, uh, put out an apartment fire, Ray?
No, I haven't done that. I'm in PR.
Mm. My ass was hot.
All right. How about this?
This is Walter, the gray whale.
Everybody remembers him,
stuck on the beach north of Zuma.
Along comes Hancock.
MAN: Hancock!
[GRUNTS]
[WHALE MOANS]
[CROWD GASPS]
I don't even remember that. Yeah.
Greenpeace does. Walter does.
This all kind of gets redundant after a while,
but my basic diagnosis of your fundamental problem is--
Do you wanna hear it? - No.
You're an asshole.
I know. I call it like I see it though.
It's not a crime to be an asshole,
but it's counterproductive.
Not a crime-- But you are an asshole, don't you think?
Be careful.
All right, how about this?
I've been thinking about something.
This kind of goes to how you present yourself.
Come on. Really? It's the middle of the day.
What springs to mind...
when you see this?
Homo.
[#]
What about that? - Homo in red.
Norwegian homo. - I'll give you that.
Let's move past the comics.
Let's get into something a little deeper.
I think...
that deep down you behave badly
because you're lonely.
I think, deep down, you want people's acceptance.
Come on, now. You save people's lives,
and they reject you, and so you reject them back.
And it's a v-- - Oh, and--
And we're gonna switch that cycle.
We're gonna start fresh, start anew.
This is outstanding.
If you turn some of this power into willpower...
Almost. And then he kicked it in.
Hey, Hancock! We almost won.
Yeah, we did. Okay, upstairs.
I'm making lunch. Go change. - Okay. I'm hungry.
Hey, sweetheart. - Hi.
Have you been watching the news?
No, we've been working on-- - Oh, sweetheart.
Interfacing with the public.
MARY: This has been on all day. That's very good.
WOMAN [ON TV]: The law is the law, Mr. Hancock,
and you are not above it.
Felony destruction of property,
amounting to tens of millions of dollars,
theft, and now this.
From where I sit,
I see a selfish, self-absorbed man
with a lot of muscle,
but no regard for anyone but yourself.
Mr. Hancock, let me remind you.
You are not above the law.
You have failed to show
at over 600 subpoenas in civil suits.
Anybody else would be held in contempt.
But, oh, no. Not you.
You may be a superhero, but let me tell you this:
You're not nearly as strong as the U.S. Constitution.
Bank on it, buddy.
We do not condone the t--
[TURNS OFF TV]
Genius.
[#] Things just got real.
And this is exactly what we need. Perfect.
There's a DA trying to figure out how to put you in jail.
Bitch can try. - I say you go.
Hm?
People take you for granted. We gotta make people miss you.
People don't like you, Hancock. AARON: I do.
Two weeks, you know?
The public will be clamoring for you.
When they do, we'll be ready.
And, uh, worst-case scenario is I'm wrong,
and you just-- You know, fly out of there.
What do you got to lose?
[#] [ALL CHATTERING]
[CLEARS THROAT]
[CAMERA SHUTTERS CLICKING]
"I apologize to the people of Los Angeles.
"My behavior has been improper, and I accept the consequences.
[ON TV] "I ask my fellow Angelenos
for their patience and understanding."
[PRESS CHATTERING]
[#]
"Life here can be difficult for me.
"After all, I'm the only one of my kind.
"During my incarceration, I will be participating
in alcohol-
and anger-management treatment."
[SPARSE LAUGHTER]
MAN: You're a drunk bum.
"You deserve better from me.
I can be better. I will be better."
RAY: All right.
[CROWD APPLAUDS, BOOS] [PRESS SHOUTING]
[ICE-T'S "COLORS" PLAYING]
OFFICER: Give me the hand, playboy.
# Colors, colors, colors #
# Colors, colors #
# I am a nightmare walking Psychopath talking #
# King of my jungle Just a gangsta stalking #
INMATE: I see you, punk!
# Living life Like a firecracker #
# Quick is my fuse #
# Then death is death Pack the colors I choose #
# Colors #
[#]
Oh, I get it.
I put some, uh-- Uh, most of you in here.
[MEN CHATTERING]
INMATE: Yes, you did.
INMATE 2: Yeah, for a year.
I can understand you feeling some kind of way about that.
What?
Uh, so I'm gonna do me,
and I'm gonna let you do you.
I-I don't want no trouble.
All right?
I just wanna go to my cell.
That ain't gonna happen.
Excuse me.
Excuse me, please.
[INMATES LAUGHING]
If you don't move, your head is going up his ass.
[INMATES CHATTERING]
Y'all fellas sure you wanna ride this train?
Choo, choo, asshole-- [CLOTH RIPS]
["SANFORD AND SON THEME" PLAYING]
[INMATES YELLING]
[SCREAMING]
[GAGS] [MEN GASPING, YELLING]
[SHRIEKING]
Did you shove a man's head up another man's ass?
Tsk.
We're gonna-- We're gonna circle back to that.
The DA's office wants your sentence to run eight years.
It's a big number,
but not something we didn't anticipate.
You know, our plan is-- What are you doing?
Hey, hey, hey, hey, hey.
[#]
It sounded like you said they want me
to spend eight years in this shithole.
This is really more like four and a half with good behavior.
But it's-- It's irrelevant because
with you out of the picture,
and with the crime rate going up through the roof
the DA and the cops,
they're all gonna call for your immediate release.
They're gonna demand it. They-- Where are you going? Sit down.
Hey. Hey. Stop right there.
Stop it. Hancock. - Move.
Hancock. GUARD: Get back.
You're being a coward!
Who you talking to, Ray? - I'm talking to you.
Who are you talking to, Ray?
Stop pretending that you do not care.
You have a calling. You're a hero, Hancock.
You're gonna be miserable the rest of your life
until you accept that.
Trust me. Trust this plan, this process.
Just stay in here.
When they call, a hero's what we're gonna give 'em.
How we gonna do that, Ray?
All right, guys, uh, let's start sharing.
Don? - Yeah.
You had something?
Yeah, I-- I, uh...
think I might've had a little bit of a breakthrough.
CONVICT: Good for you.
Yeah, I mean, I-- I realized that breaking necks is--
It's easy.
But, uh... I'm sitting there
and I'm staring at myself in the mirror...
and I thought, "This is tough."
CONVICT 2: Yeah, and it sounds tough.
[CHUCKLES]
Why do you always laugh?
Picturing you looking in the mirror.
It would scare the shit out of me too.
Every time I'm talking, he completely ruins the cycle.
Uh, let's watch the crosstalk, okay?
DON: I'm not gonna share anymore if he keeps doing that.
No, no, no.
CONVICT 3: Keep sharing.
CONVICT: Let's move on.
Mr. Hancock, do you wanna share today?
[#]
Pass.
RAY: Your landing is your first impression.
It's, your-- It's your superhero handshake.
Don't come in too hot, okay?
Don't come in too boozy.
And don't land on a $100,000 Mercedes. All right?
People have to be happy that you've arrived.
Mr. Hancock, your share.
Pass.
RAY: So you've used the door,
and the building's still intact.
People are happy that you've arrived. They feel safe now.
And there's an officer there, and he's done a good job.
So you might want to tell him he's done a good job.
What the hell did I have to come for, Ray,
if he's done a good job?
[CONVICTS CHATTERING]
CONVICT: Hey! Oh, man!
Come on.
RADIO TALK SHOW HOST: KBLA radio, AM 850.
Today's big story, no surprise here:
Hancock. What's your take?
MALE CALLER: I, for one, have had enough of this guy.
I'm glad he's doing time around bars,
and I hope they don't let him off easy.
Let my cousin Pookie out.
"You know, I see you don't wear a bulletproof vest,
"security officer, and I respect your courage
'cause bullets don't bounce off you, they bounce off me."
CONVICT: Oh, yeah.
FEMALE CALLER: This city is being run by gangs and drug dealers.
Hancock is the only guy who makes them
shake in their boots.
He doesn't always tie a pretty ribbon around it,
but he gets the job done.
Besides, he's hot.
Let me hear you say it.
Let me hear you say, "Good job."
G--
Goo--
CONVICT: Mr. Hancock, would you like to share?
Pass.
Goo...d.
Good.
Good...j--
Good j--
Good job.
Jail watch, day five. And true to his word,
Hancock remains incarcerated.
Meanwhile, crime is still on the rise.
The L.A.P.D. is reporting increases of up to 30 percent
in the last five days
that Hancock has been behind bars.
Hancock! Hey, Hancock!
Hey, little buddy.
AARON: Hancock, hey.
We brought you something!
HANCOCK: Hey, hey.
Hey, what's up, Hancock?
HANCOCK: Whoa.
Where's, uh--? Where's Ray?
No, it's just us.
Ray's working.
A-Aaron really wanted to come and see you,
so we just dropped by with some Spaghetti Madness. Heh.
I should probably let the guard
check for keys-- - No, no.
Here. - Okay.
Here you go.
[PUTS CONTAINER ON TABLE]
Oh, you brought me meatballs, huh?
Just dig in.
Oh, man, look at that.
Look at that.
Mm.
That's a good meatball.
Thanks, Hancock.
HANCOCK: Mm.
[#]
Ray is a good man.
Whatever this is you're doing, don't let him down.
Okay?
Okay. Well, we should probably go, buddy.
AARON: Already? MARY: Yeah.
I wanna stay with Hancock.
MARY: Sweetheart, we have to go.
Come on. Say goodbye to Hancock.
Here, Hancock. It's my favorite one.
And I want you to have it.
MARY: That was very sweet.
AARON: Thanks, Mom.
Come here.
CONVICT: Mr. Hancock. Would you like to share?
Pass.
CONVICT: All right. Phillip?
I love you guys, man.
CONVICT 2: We love you.
We love you too.
[INAUDIBLE DIALOGUE]
For when they call.
I ain't wearing that, Ray.
Yes, you are. - Oh, no, I'm not.
No, you are.
Uh, actually, I'm not, Ray.
You think you're not, but you are.
I will fight crime butt-ass naked
before I fight it in that, Ray.
You know, you have fought naked.
We've got that.
That's on YouTube.
Hancock, this is a uniform. - Mm-mm.
A uniform represents purpose.
Doctors, policemen, firemen. Right?
Ray, Ray.
It represents a calling. - It's been two weeks.
Yeah?
Nobody out there is missing me, Ray.
Just be patient. You gotta trust me on this.
All right?
[#]
MAN: Oh.
Perimeter breach, perimeter breach.
[GROANS]
CONVICT: Asshole!
[CONVICTS SHOUTING DISTANTLY]
[SIREN WAILING]
CONVICT 2: You're still a fake-ass punk.
[CONVICTS SHOUTING DISTANTLY]
CONVICT 3: Damn!
CONVICT: Mr. Hancock?
It's your share.
Pass.
Come on, man, try it.
Let it out.
CONVICT 2: Come on, John.
I don't have nothing.
CONVICT: There's nothing on your mind? Come on, John.
It's cool, man. CONVICT 3: Come on, John.
Do it. First time for everything.
Feels good to release, now.
PHILLIP: Let it heal. Come on, man, try it.
CONVICT: Come in here all these days, you don't have anything to share?
I'm, uh, Hancock,
and, uh...
I drink and stuff.
All right. Thanks for sharing.
Okay. - Thank you.
All right.
That's awesome.
That's a clap, yeah.
[CONVICTS APPLAUD] CONVICT 4: Yeah, there you go.
[#]
[LOCK OPENS]
[KNOCKS ON WALL] YOUNG GUARD: Hey, Hancock.
[GROANS]
YOUNG GUARD: Come on, get up.
[GROANS]
You got a phone call.
Mm. Take a message.
It's the chief of police.
He says he needs your help.
[#]
[POLICE RADIO CHATTER]
FEMALE TV REPORTER: The trapped officer's husband is Corporal Joseph Blake,
who was killed last year in Iraq,
leaving her two small children.
We are waiting for the latest news,
but apparently, there are three suspects and possibly more.
What's going on?
I'm out!
[GRUNTS] Stay down!
[GUNFIRE]
OFFICER: Fire! To the south!
Let's go! Everybody's gotta get back! Let's go!
Back! Move!
[GUNFIRE]
Got perimeters set up on the north,
east and south sides.
[AIR WHOOSHING] West side is open.
[CROWD SHOUTING]
[#]
RAY: Don't break the building, don't break the building.
What?
It's a little tight. What you got?
Bank job.
We've got at least eight hostages.
Four bad guys.
I got a officer pinned down, and we can't get to her.
They've been spraying the hell out of us all morning.
And--
They got some kind of heavy artillery.
Fifty caliber or-- Or bigger.
I don't know if that matters to you.
I'm good.
Oh, um...
Good job.
Really, good job.
[#]
OFFICER: Get down!
Stay down! Stay down!
[AUTOMATIC GUNFIRE]
It's Hancock!
Take him out!
Good job!
[BULLETS RICOCHETING]
Do I have permission
to touch your body?
Yes!
It's not sexual.
Not that you're not an attractive woman.
You're actually a very attractive woman--
Get me the hell out of here!
[GUNFIRE]
He's on the move!
He's moving, he's moving!
[CROWD SHOUTING]
Good job. PARAMEDIC: Are you hit anywhere?
FEMALE COP: My leg! - Hancock!
Good job. - You said that.
I need you to end this now.
[AIR WHOOSHES]
Check the flanks.
Secure the perimeter.
[BUILDING RUMBLES]
Spread out!
They're gonna come around the back.
[BUILDING RUMBLES]
MAN: What happened to him?
Where'd he go? Where'd he go?!
What is happening?!
[#]
[FEMALE HOSTAGE SOBBING]
I heard you was in the slammer.
Out early.
Why's that?
Good behavior.
Do you know what this is?
Um, I'm guessing it's some kind
of detonator-type deal.
There's 8 pounds of C-4 strapped to each and every one of 'em.
This is a spring-loaded dead-man switch.
If my thumb comes off it...
boom.
And now, since we've had a little change of plan,
between the police showing up
and you sucking out all of my associates...
I want you to break into the vault.
You'll find three quarter-ton pallets
of small bills inside.
Thirty million dollars.
Wow.
And you're gonna carry it for me.
You are gonna get me safely away from here with the money...
or else they'll be cleaning up these hostages with a mop.
I'm gonna have to say no to that.
Uh...
I'm really trying to turn over a new leaf.
I will blow up this entire building, you asshole.
[#]
[ SIGHS] Really don't like that word.
I will blow them sky-high,
and their blood will be on your hands.
Do you hear me, asshole?
Call me a asshole...
one more time.
Ass--
[PIERCING SCREAM]
[#]
Keep your hand on that trigger.
Good job.
No. You, good job.
Good job. - Thanks.
MAN: Hancock for mayor!
WOMAN: Hancock!
[CROWD CHEERING, APPLAUDING]
Thank you.
[CROWD CHEERING]
Wow.
[CROWD CONTINUES CHEERING]
Whoo!
[LAUGHING]
[#]
WOMAN: There he is! Right there!
Say hi to your fans.
Look what you got. MAN: Good job, Hancock.
Here we go. MAN 2: This way, Hancock.
Hancock. RAY: Thank you.
At the bank today, intense. WOMAN 2: Hancock!
RAY: Smile.
[SCREAMS]
RAY: Hey. Boy, they'll let anybody in here, huh?
Hancock, meet these guys.
This is Mike Kilbourne...
Huge fan. Huge. - and Jeremy Himmel.
Gigantic fans. Insane.
These guys are partners at the biggest West Coast ad firm.
Where you been, Ray? MIKE: You never call.
Actually, I have called. Couple of times.
Water under the bridge, man. Water under the bridge.
[SLOW MUSIC PLAYING ON SPEAKERS]
Could you guys get used to this or what?
[CHUCKLES]
How'd you two meet?
Um...I was married once before.
First wife...
um, she died giving birth to Aaron.
It's another dinner.
Um... But, um...
So there I am. I'm-- I'm with this beautiful little baby.
I don't know what the hell to do.
And I was in the supermarket.
And I'm in the baby aisle,
and I've got a brand of diapers in each hand.
I'm staring at them, but I-- You know,
I don't know how I'm gonna get through the day.
An angel...
[TITTERS]
...sees me.
She knew. She was--
She gave me this look.
And even in the trance I was in,
I knew that somebody somewhere...
was throwing me a little rope.
You know?
Starting that day, you really put my life back together.
Right?
You're drunk.
[LAUGHS] So?
Come here.
What about you, buddy?
You're from another planet, aren't you?
No, man. I'm from Miami.
You didn't come in on, like, a meteor or--?
Nope. Woke up in a hospital, first thing I remember.
RAY: Government hospital. Yes?
Experimenting on you and--
No, Ray. Regular old Miami emergency room.
Come on.
Yeah, my, uh-- My skull was fractured.
They told me I tried to, uh, stop a mugging.
Somebody knocked you out.
I guess I was a regular guy before...
and when I woke up, I was changed.
Uh...
and the hospital nurse tried to put a needle in my arm,
and it just broke against my skin.
And then my skull healed in, like, an hour.
The doctors were astounded...
and, uh...
they wanted to know my story. Just like you.
But, uh, I couldn't tell 'em. I don't know who I am.
Amnesia.
You know, the blow to the head.
Yeah, well, that's what they figure.
You don't remember anything?
No.
Only thing I had in my pocket was
bubble-gum...
two movie tickets.
Boris Karloff. Uh, Frankenstein.
Uh... But no ID, nothing.
I went to sign out. The, uh, nurse asked me
for my John Hancock.
And, uh...
I actually thought that's who I was.
How come I didn't hear any of this?
I didn't read about it in any newspapers?
Uh, it w-- It was probably in the papers, uh, 80 years ago.
Eighty years ago?
Oh, I don't-- I don't age.
This is it. - That's nice.
HANCOCK: Gotta wonder, though.
What kind of monster must I have been...
that nobody was there to claim me?
[#]
I mean, I'm-- I'm not the most...
charming guy in the world,
so I've been told, but...
nobody?
RAY: That didn't tire you out at all, coming up the stairs?
HANCOCK: Not really.
RAY: I'm real spinny.
Could've just flown me upstairs.
Whoo.
I could've done without that.
Get your shoes off here.
All right. That's all you're getting off of me though.
[LAUGHING]
You believe in me, don't you, Hancock?
[SHOES CLATTER ON FLOOR]
Of course, Ray.
I believe in you. - Help me up here.
Listen to me. This is important, 'cause I believe in you,
you know, and-- And...
you're gonna do great.
[#]
And you're gonna fix everything.
You get some sleep, Ray.
You sleep tight too.
[CHUCKLES]
Hancock. Tucking me in.
[EXHALES]
All right. He's asleep.
Damn babysitter never cleans up after herself.
You have a bruise on your hand.
You--
You should go.
Getting late.
[HANCOCK GROANS]
[GRUNTING]
[PANTING]
[AIR WHOOSHES]
[BODY LANDS]
If Ray finds out about me...
you're dead.
Is she...?
[WHISTLING]
[#]
[POURING COFFEE]
MARY: Joan. We're gonna take care of that, okay?
Don't you worry.
Hi, honey.
Breakfast?
Hancock sneezed, huh?
Can you believe it? Achoo.
It's amazing that you slept through that.
You're a-- A good sleeper.
Holy shit.
[SING-SONG VOICE] I'm not gonna say I told you so, but...
You told me he was gonna sneeze a hole
through the front of the house?
I just said him being around--
Oh, sweetheart, can you get that?
Oh, thanks.
Oh, God. You strong man.
I got it.
But you don't worry about anything.
I already apologized to the neighbors...
called State Farm.
Everything is taken care of.
[UTENSIL CLATTERS] You just...
[DISH CLANKS]
...enjoy that breakfast.
What's this? Are we going on vacation?
Mm-hm. - Are we?
Just the three of us.
End of the summer?
Tonight. - Tonight?
Let's go somewhere.
[KNOCK ON WALL] HANCOCK: Knock, knock.
Gesundheit.
Huh?
MARY: I-- I was just
telling Ray here, I hope you're done sneezing,
because...I don't think our house
could take much more of your sneezing.
[#]
Yeah, sometimes, uh...
I sneeze when there's dust...
or if I get really surprised.
[CELL PHONE RINGS] That's unfortunate.
This is Kilbourne.
Mike? How you doing?
It was great to see you too.
[WHISPERING] Get away.
Yep. Well, um...
Right. Go ahead, shoot.
I got a pen right here.
Right. No, I know.
It's right here in my hand.
Mm-hm.
I am...warning you.
RAY: All right, go ahead.
Okay, good.
Now, um...
And that's still in 310, right?
[WOOD SPLINTERS, CLATTERS] Hang on one second.
Do me a favor?
I'm sorry, Mike.
Yeah.
We're gonna talk.
RAY: Okay.
Go...away.
RAY: Uh, well, it's something that I'm--
I'm really excited about.
I'm very excited.
[RAY TALKING INDISTINCTLY]
I'm gonna do this all day.
Bong, bong, bong. - Shut-- Shut up.
Bong. - Um...
I-- I suppose...
Fine. We'll talk. Okay? - We will.
And when we're done talking,
you go away and you leave my family alone.
My place at 4:00.
Whatever.
[PANS CLATTER]
RAY: It means, uh...
Well, I'd rather not talk numbers now.
I'd like to save 'em for the pitch.
So let's just set a time.
That's good with me. I will see you then.
All right.
Yeah, 3:30. Great.
[PHONE BEEPS]
Hon, is it hot in here?
[FREDDY FENDER'S "WASTED DAYS AND WASTED NIGHTS" PLAYING]
# Wasted days And wasted nights #
# I have left for you Behind #
[MEN GRUNTING]
# For you don't belong to me #
# Your heart belongs #
# To someone else #
He hurt you. Didn't he?
Aw, use your words.
How did it make you feel?
Sore.
Bad.
It's 'cause he took your power.
And you have to get your power back.
And no one will give you your power back.
You have to go out and take it.
You understand me?
We're gonna go find Hancock...
and get your power back.
[#]
[AIR WHOOSHING]
[#]
[BIRD SQUAWKING]
Ask.
You and I. - "You and I" what?
We're the same. - No.
I'm stronger.
HANCOCK: Really?
Oh, yeah.
HANCOCK: Who are we?
Gods, angels.
Different cultures call us by different names.
Now, all of a sudden, it's "superhero."
Are there more of us?
There were.
They all died.
[POPCORN POPPING]
It's just the two of us.
What is this?
Who are we to each other?
We're brother and sister. - That's a lie.
No, I'm your sister. - That is a lie.
I'm your sister. - That is a lie.
No. Sisters don't kiss brothers
the way you kissed me last night.
You're lying. Deal's off.
Let's go see how Ray feels about this.
MARY: Get your ass back here!
HANCOCK: I'm telling!
The AllHeart symbol will be known globally...
as a symbol
that represents companies that are committed
to changing the world.
They can give away their sustenance goods, okay--
food, drugs, power, clothing
--for free.
I thought we were talking about Hancock--
Number two.
[#]
[WOMAN SCREAMING]
You stay away from me and my family.
You are not gonna do this to me again.
What?
I don't know what you're talking about.
Hey.
WOMAN: I love you, Hancock!
It can't work.
Always ends the same way.
Persia, Greece, Brooklyn.
Brooklyn? I've never been to Brooklyn.
I have put up with your bullshit for the last 3000 years,
and I am done! I don't know what you're talk--
Done! You listen. I don't know what you're talk--
I am happy, okay. Finally, I am happy!
Look at me! - You are not gonna mess with that!
I don't know what you're talking about!
I hate to burst your little crazy-lady bubble,
but it must not have been all that great,
'cause I don't remember you.
Call me crazy...
one more time.
Cuckoo.
[THUNDER CRASHES]
All right, hold it. All right.
Better not hit me with that truck.
For companies to qualify for the AllHeart symbol,
they must prove they are a leader
in the global revolution--
We wanna talk about Mr. Hancock.
They are committed to a better world.
They can do this in four different ways.
This is how-- [THUNDER CRASHING]
[PEOPLE SCREAMING]
[GRUNTING]
But the most important thing with AllHeart
is brand recognition.
That's why I've mocked up these examples here
in Tokyo, London, Dubai, Paris.
[GRUNTING]
So we need maximum exposure.
We need extreme market-- - Is it snowing?
[#]
[WOMAN SCREAMING]
MARY: Get off.
Get off me! - Listen to me. Listen to me.
I hate you! - I am sorry!
[SOBBING]
Whoever I am.
Whatever I did-- Look at me.
I'm sorry.
[SOBBING]
[AIR WHOOSHING]
[THUMP]
Why were you flying?
You were flying, Mary. [THUMP]
Yeah, she was definitely flying.
Okay, I was flying.
And I'm very strong as well.
It's just the way we are. - We?
Me and him. It's just us now.
The others paired up and died.
Oh, you didn't say anything about the others
pairing up, at the trailer.
You were at his trailer.
This is very hard to explain.
Great, I'm all ears, Mary.
Me too. RAY: Do me a favor.
Just give me and my wife one moment.
Hey, don't-- Don't bring it here.
The adults are talking, for one second.
MARY: Technically speaking...
he's my husband.
Holy shit.
What?
We broke up decades ago.
Long before you were born.
He just can't remember.
But you can. Right?
You knew?
That's something you might want to bring up on a first date.
"I don't like to travel." "I'm allergic to cats."
"I'm immortal." Okay? Those are some of the things
you might want to give a heads-up on.
Whatever we are, we were built in twos, okay?
We're drawn to each other.
No matter how far I run, he's always there.
He finds me. It's physics.
What are you saying?
That you two are fated to be together?
I've lived for a very long time, Ray.
And the one thing I learned:
Fate doesn't decide everything.
People get to choose.
And you chose...
to let me think I was here alone.
[#]
I didn't think you'd miss what you didn't remember.
RAY: Great.
Now what?
Didn't plan for this.
[#]
REPORTER [ON RADIO]: Prison authorities confirmed that the prisoner uprising
was led by Kenneth "Red" Parker Jr.,
who was also the leader of last week's
Spring Street bank robbery.
At least eight prisoners are not accounted for.
More information on the prison riot in Norwalk.
Construction workers at the prison
were attacked and knocked unconscious.
Prisoners stole the workers' clothes,
and it is feared that at least some of them have escaped.
Parker is considered a criminal mastermind.
He is very effective at using psychological persuasion
to organize criminals from different backgrounds.
He is a former psychology professor
from Stanford University.
While there, he organized a notorious criminal network
comprised of graduate students from diverse--
Ninety-one ten.
Ninety-one ten? You gotta be shitting me.
Ninety-one ten.
Highway robbery.
[SIGHS]
[GRUNTING]
[SCREAMING]
[GLASS BREAKING]
What?
I'm taking the money.
[PANTING]
Uh-huh.
I can relate to that.
You know, if you want something...
nobody can stop you from taking it.
You just take it, right?
I like that.
But can you take it?
My Zagnut bar versus your gun.
[LOUD POP]
[ALARM BLARING]
Sorry about your window.
[#]
[BEEPING]
MALE DOCTOR: Get out of the way!
FEMALE DOCTOR: Clear. I need Room 1020.
I need IV line, blood quality,
CBC, electrolytes, a PT--
HANCOCK: It's not gonna work.
I'm in.
What's happening?
WOMAN [ON TV]: This just in.
John Hancock has been rushed
to Los Angeles General Hospital.
Hancock is in serious condition with multiple gunshot wounds.
No story yet as to how this happened to him,
but we will continue to cover this story live, as it unfolds.
Reporting live from L.A....
[#]
[REPORTERS CLAMORING]
REPORTER 1: Mr. Embrey, just a couple of questions.
Just a couple of questions, please.
Uh, from what I've heard,
uh, he was trying to stop a robbery.
Do you know if special ammunition
was used in the gun that shot him?
No. - Some new bullet technology?
No, no. Nope, not that I'm aware of.
Could this have to do with the mysterious superwoman?
He was seen battling her. I do not have that answer.
Could this woman be more powerful than Hancock?
[REPORTERS ALL TALKING AT ONCE]
[#]
Here are the lab results, Room 209.
You're becoming mortal.
It's us.
Being close to each other.
It's never happened this fast before.
You have to leave.
The further away you get from me,
the better you're gonna feel.
You'll start getting your powers back, and...
you're gonna be flying and breaking things,
and saving people before you know it.
[BEEPING]
Oh, it's like I said.
We were built in pairs.
And when we get...
close to our opposites,
we lose our power.
Why?
So we can live human lives.
Love, connect.
Grow old...die.
What happened...
to us?
Summer of 4 B.C.
We were becoming mortal, like now.
They came after me with swords.
But you saved me.
Eighteen fifty.
They set our house on fire.
You pulled me out of the flames.
Eighty years ago.
What happened then?
We were living in Miami.
And a new movie was playing in town.
Frankenstein.
And after...
we walked down Flagler Street,
and you took my hand, and you held it so tight.
And they attacked us in an alley.
They hit you so hard.
There was so much blood.
They wouldn't let me ride
in the ambulance with you.
And by the time I got to the hospital, you were awake.
But you didn't know me.
So I left.
Every time we're together...
they come after you through me.
You're built to save people
more than the rest of us.
That's who you are.
You're a hero.
An insurance policy of the gods.
Keep one alive.
You.
To protect this world.
[#]
[GUN COCKS, FIRES]
Get down.
[WOMAN SCREAMS]
[GRUNTS]
Mary! [GRUNTS]
[GRUNTING]
Mary!
Stay down!
[GROANING] Okay.
[SCREAMING]
Mary?!
[SPEAKS INDISTINCTLY]
Stop. Aah!
WOMAN: Oh, no! No! Please!
[AUTOMATIC GUNFIRE]
Aah!
Stay down.
[#]
[GRUNTING]
[GROANING]
RAY: Hey! Mary!
Let's go, get her up.
Come on, Chuck. Let's go.
[GRUNTING]
[MOANING]
Gordon. One IV.
MAN: Here! Help in here!
[ALL TALKING AT ONCE]
Hold her down, hold her down.
[GRUNTING]
Hold her down.
[BOTH SCREAMING]
Hold her. Hold her down!
[SCREAMING]
Stay calm.
[YELLING]
[GRUNTING]
Hold her, hold her, hold her. We're losing her.
[GRUNTING]
[SCREAMING]
[GRUNTS]
[BEEPING]
[GASPS]
Upon us all, Hancock.
You're no different.
[GASPS] Time to shut her down, Hancock.
It's been a nice run.
[GUNSHOT, SHOCK]
[GASPS]
[GRUNTING]
Oh, we are all...
sincerely gonna miss you.
But it is time for you to move on.
And maybe to a happier place.
You can thank me if you want to...
superhero.
[COCKS GUN]
Aah!
Ahh!
You didn't!
[GRUNTS]
Aaron!
[EKG FLAT-LINING]
[#]
[EXHALES]
[GRUNTING]
[#]
[GRUNTING]
[BEEPING]
Aah!
[GRUNTING]
Aah!
[#]
[CHILDREN YELLING]
RAY: What about Attila the Hun?
Completely cross-eyed.
Cross-eyed? - Yep.
All right. What about uh, Queen Elizabeth?
Mm, needy.
J.F.K.? What about him?
Oh, yeah. - Mm-hm.
Mm, "oh, yeah." Anything more? [LAUGHS]
[PHONE RINGS] Not like that.
Really?
I was in Cuba for the whole missile thing.
Yeah, hang on.
[PHONE RINGING]
RAY: Hello?
Ray.
Hey, I've been trying to call you.
Yeah, I was out of cell range.
Are you outside?
Yeah.
Look up.
All right, I'm looking up.
I'm looking up.
[#]
Baby?
What?
You're gonna change the world.
Good job, Ray.
Oh, my God, Ray.
Hey. Oh, look up.
Hancock.
I'm proud of you.
Thanks.
Will I get in trouble for that?
[LAUGHS]
Huh?
[#]
[BIRD CAWS]
subTitle by : SaNSuY
[HORNS HONKING, SIRENS BLARING]
[TIRES SCREECHING]
POLICEMAN 1: Freeze! Freeze, right there!
POLICEMAN 2: Don't move!
[GRUNTING]
My purse! Aah! - Drop your weapon, sir!
Get back. Get back, get back.
Drop it! Get back or I'll shoot!
Get back!
I'm not playing.
[WHOOSH] Get back. Get back!
[THUMP]
Damn. Handjob.
Where you come from? - All right, relax.
Just-- Just tell me what you need.
Tell them cops to turn--
Tell 'em to take their guns off of me.
Tell 'em to take the guns up off of me.
Just take them off, guys.
Lower your weapons. - You gonna get us out of here.
With that tight-ass Wolverine outfit on.
Now, let's make it happen, asshole.
[THE ROOTS' "HERE I COME" PLAYING]
# He said, "Yeah #
# "You'd better come out With both hands up #
# We got you surrounded" #
# I'm in the back Changin' my outfit #
# He said, "Blink We gonna send the hounds in" #
# I said, "Wait Here I come #
# "Here I come Here I come #
# "You boys get ready 'Cause here I come #
# Here I come Here I come" #
# He said, "Yeah #
# "You'd better come out With both hands up #
# We got you surrounded" #
# I'm in the back Changin' my outfit #
# He said, "Blink We gonna send the hounds in" #
# I said, "Wait Here I come #
# "Here I come Here I come #
# "You boys get ready 'Cause here I come #
# Here I come Here I come" #
# Yeah #
# Uh, I'm soul brother One hunted #
# How much charisma Could another one stomach #
# If I be a prisoner Then I wasn't more cunning #
# Or wise, if I come outside I'm not running #
# Stone lone wolf of the pack The unwanted #
# I really got nothin' to hide I'm 'bout cuttin' #
# Go out in a blaze Wouldn't pop one button #
# I'm a murk, half hurt Leave the cop dogs huntin' #
# He said, "You'd Better come out #
# "With both hands up #
# We got you surrounded" #
# I'm in the back Changin' my outfit #
# He said, "Blink We gonna send the hounds in" #
# I said, "Wait Here I come #
# Here I come Here I come" #
# Yeah #
[FUNKY SONG PLAYING]
[MAN VOCALIZING]
[#]
subTitle by : SaNSuY